What the Constitution Means to Me streaming on Amazon Prime, starting October 16th
Though the national tour is on hold, you can still catch Heidi Schreck’s beloved play (which originated in Summerworks 2017) before the election.
Filmed during their last week on Broadway, and directed for the screen by Marielle Heller, What the Constitution Means to Me will stream on Amazon Prime beginning October 16th.
Meet the next Early-Career Writers' Group
We’re excited to get to know these eight writers over the course of the coming year, and to welcome them into the Clubbed Thumb fold: Nelson Diaz-Marcano, Allyson Dwyer, Nazareth Hassan, Johnny Lloyd, Cristina Luzárraga, Kathy Ng, Hanna Novak & Ruth Tang.
They’ll be sharing their work (by Zoom for now) over the next eight months (and we hope to share it with you after that). Learn more about them HERE.
EXTENDING OUR COMMISSION DEADLINE
We know that many peoples’ attentions are understandably focused on other goals right now, and so are delaying the submission deadline for our Biennial Commission until July 5th.
We are eager to award the commissions and get money in artists’ pockets as soon as possible, so we don’t want to delay any further than that, since the panel process can be time-consuming. If anyone finds that they would like to participate but cannot in this timeframe, please let us know and we will figure out what is possible. Read the prompt and submit HERE
A SUMMERWORKS 2020 UPDATE
Like everyone else right now, we’re in a holding pattern. In the meantime, click HERE to follow along with a fond look back at the last 24 years on our Instagram story, and read a recent Playbill article on the history of Summerworks HERE
ANNOUNCING THE 2020 CLUBBED THUMB BIENNIAL COMMISSION
Every other year Clubbed Thumb invites playwrights to propose plays inspired by a particular prompt. The application is open to all, and read blind. The winning proposal(s) receive (or split) a $15,000 award and two years of development support. Read the prompt HERE
TUMACHO IS NOW CLOSED
Dear friends & supporters:
It is with sadness that we announce we will be ending our run of Tumacho ahead of schedule. We believe it is just the responsible thing to do.
We have reached out to ticket holders for cancelled performances – if you have not heard from us, please reach out to email@example.com
We are so deeply proud of the work everyone has done on this production, and glad that we were able to share it with so many over the last few weeks. Thank you to everyone who made it possible.
Maria, Michael & Quinn
ANNOUNCING THE 25TH ANNUAL SUMMERWORKS
We are very excited to share our upcoming Summerworks, featuring new plays by Gab Reisman, Angela Hanks and Rinne Groff – we’re on hold for the moment, but in the meantime you and read more about them HERE
TUMACHO IS BACK IN TOWN
Our hit production from Summerworks 2016 returns for four weeks at the Connelly Theater – February 17 – March 21, 2020.
When we first produced this play, in the summer of 2016, the question of whether a hopeless citizenry could overcome their despair and band together to fight their oppressor felt like a metaphor, a general moral query about, you know, being a better person. After three long years, we have a very different understanding of the need for communities to come together to resist.
We have always loved Tumacho for its invitation to virtuosic comic performance, and for the slyness of its critique. Now it feels like a joyful way to gird our loins for the coming fight. We’ve wanted to revisit the show since our first short run, and we couldn’t be more thrilled to be doing that right now.
THANK YOU to everyone who attended Winterworks 2020!! We were delighted to introduce you to the work of our 19/20 Directing Fellows: ANDRÉS LÓPEZ-ALICEA, EMMA MILLER and CAITLIN SULLIVAN, directing new plays by MILO CRAMER, T. ADAMSON, and GRACIE GARDNER.
Hear Vivian Barnes's new play HEAP on Fri, Nov 22nd at 2pm
Vivian won our 2018 open-application commission with the proposal for this play – and we are excited to be working on and sharing it with you this week. RSVP to firstname.lastname@example.org to save a seat.
HEAP by Vivian J.O. Barnes
Directed by Colette Robert
with April Matthis, Will Dagger, Danielle Davenport, Marielle Young, Polly Lee, Mikumari Caiyhe, Layla Khoshnoudi and Brian Quijada
A kaleidoscopic imagining of the book of Job seen through the eyes of his nameless wife and the denizens of their suburban cul-de-sac.
This summer's hit LUNCH BUNCH returns in 2020!
We are very excited to let you know that our production from Summerworks 2019 will return in 2020, as a co-production with our friends at The Play Company.
Lunch Bunch was born of a long, rich collaboration with Sarah, Tara and its other artists. It is very close to our hearts–and one of the most popular shows ever featured in Summerworks. How excellent to partner with PlayCo, whose work we love: two small companies sharing their resources to continue a beloved show’s growth and reach. MORE INFO HERE
Join us for a workshop presentation of Paul Cameron Hardy's new play!
This play was a finalist for our 2017 Biennial Commission and we’re excited to be working on it this week with Paul and Tara. Join us!
Untitled Dentist Play by Paul Cameron Hardy
directed by Tara Ahmadinejad
featuring: Susanna Guzman, Ellen Maddow, Purva Bedi, Kristin Villanueva, Drita Kabashi, Ned Einsenberg and Agnes Borinsky.
Forced to attend the retirement party of the town’s most-celebrated orthodontist, Dr. Idalia Navas and her staff spin into a mild existential crisis.
Fri, Oct 25th, 3pm at 440 Lafayette St
RSVP to natalie @ clubbedthumb.org
Meet the 19/20 EARLY CAREER WRITER'S GROUP and PRODUCING FELLOWS.
We have a new team of playwrights and we are delighted to introduce you to them: Crystal Finn, Deneen Reynolds, Justice Hehir, Aaron Ricciardi, Julia Izumi, Kori Alston, May Treuhaft-Ali, and Ryan Szelong.
Nominated and mentored by members of our mid-career alumni community, these eight writers will meet over the course of the year to develop their work, culminating in presentations during Summerworks.
Read more about the playwrights and the program HERE.
And say hello to this year’s Producing Fellows: Kathy Ng and Natalie Risk.
Each year, two early-career creative producers assist on all programming, as well as casting, script evaluation, management and marketing under the guidance/mentorship of Clubbed Thumb staff, culminating in hands-on roles in Summerworks.
THE CLUBBED THUMB BIENNIAL COMMISSION
Every other year Clubbed Thumb invites playwrights to propose plays inspired by a particular prompt. The application is open to all, and read blind. The winning proposal(s) receive (or split) a $15,000 award and two years of development support. (CLICK HERE to read commission prompts from past years.)
For this year’s commission consider The Decameron by Giovanni Boccaccio – but don’t write about the Plague. Consider The Decameron as a piece that came from the ashes of the Plague but is decidedly a piece of the Renaissance. Consider it as a celebration of voice and style, as a compendium of stories from a wide span of sources. Consider it as an opportunity to take a deep research dive, if that’s your thing.
Then do with that what you want, jump off it in form, content, what have you. Feel free to take inspiration from just a little piece.
Your play should have no fewer than three people, and up to ten, and most of them should be female.
Very few of these characters should be blood relatives.
You may only specify three props.
You may have no stage directions longer than twelve words. You may only have seven stage directions.
Time: (of all scenes) night — except for one which can be dawn or dusk.
One very fancy costume.
These constraints apply to the whole play.
At some point in the process, look over the Clubbed Thumb submissions guidelines, as well as our production history. We don’t have a lot of restrictions, but we hold to them.
As we are telling you about this at the very beginning of spring, we’ll close the portal on the first day of summer.
Please submit the following through the application below:
(this is a BLIND submission, see notes below)
– Completed form below
– A one-page letter of intent telling us about your proposed project
– 10 exploratory pages from the proposed project (either contiguous or from different sections of the proposed play – your choice)
– A completed play you’ve written in the past (see note below)
– A resume
No names please, on the letter, the 10 page sample or the complete play. The panel reads all submissions BLIND — the only place your name should appear is on the info form and on your resume.
The letter of intent should briefly map out the proposed piece and, if need be, orient the reader to the excerpt’s relationship to the whole. You needn’t explain or repeat anything that your 10 page sample makes clear. Then give us an idea of where the piece is coming from and where you think you want to go with it.
We request a completed play in case our readers need a greater sense of your voice. Please recommend 10 pages to look at for reference, and note any context you wish to give.
One last thing: this is a commission for Clubbed Thumb. So look around our website at our submission guidelines and production history for reference, if they are not familiar to you.
SUBMISSIONS TO THE 2020 BIENNIAL COMMISSION ARE NOW CLOSED.
Thank you to everyone who submitted! The proposals will be read and adjudicated over the course of the summer, and the commission(s) awarded in the fall.
The $15,000 commission — which might be split between writers if the panel so elects — will be paid out in three installments, with the first installment following the signing of a contract. Send questions to info[at]clubbedthumb.org