YOU'RE INVITED TO THE WOMAN'S PARTY
Originally scheduled for Summerworks 2020, The Woman’s Party by Rinne B. Groff has been adapted into a three-party video series directed by Tara Ahmadinejad, which will begin airing April 22nd. It’s free to watch, but registration is required – you can do that HERE
ANNOUNCING WINTERWORKS 2021: NEW BEGINNINGS
We’ve spent the last four months in conversation with the eight Directing Fellows, discussing craft, process and our industry (among other things). We are thrilled to now introduce you to their work, as they present short performances, each taking different shapes and experienced on different platforms, but working from the same set of prompts.
Some projects will be open to all, and some will be experienced by very few audience members – and everything is free to attend. We hope you’ll be intrigued to join us for one or many. We’ll roll out updates regularly – so stay tuned! CLICK HERE FOR MORE INFO
EAT YOUR FEELINGS - three short videos about taking care of ourselves and each other
Over the past few months we’ve been commissioning Clubbed Thumb artists to make short videos while we wait for theaters to re-open. We’re pleased to bring you the first installment of this initiative, a series created by Directing Fellowship alumnae Kate Hopkins, Kate Eminger and Caitlin Sullivan.
It began as a chance to check-in with various CT artists during the pandemic – but quickly became a much deeper investigation of our community, of how we rely on one another, and how we might rebuild and reimagine a better future. This first episode features actress, playwright and good friend Crystal Finn cooking with her daughter Delphina (follow along from home with the recipe on the left).
The series also features an organization which started in March to address food insecurity in New York – EV Loves NYC. Their work is crucial and ongoing, and we hope the videos inspire you to spread the word about what they do, volunteer and donate. They need our help.
And stay tuned for two more episodes, featuring Chinaza Uche & Caitlin Zoz and Mel Ng – as well as more commissioned work from a variety of Clubbed Thumb artists, coming soon to CT/TV!
Clubbed Thumb & Brown University Virtual Reading Series, December 7th and 9th
We’re proud to partner with Brown University’s MFA Playwriting Program this fall to bring you readings of two recent graduates’ plays:
On the Y-Axis by Lucas Baisch, directed by Josiah Davis
The Executrix by Emma Horwitz, directed by Sarah Blush
December 7th and 9th at 4pm and 7pm EST – RSVP HERE
We are pleased to announce the 2020/21 Clubbed Thumb Directing Fellows
We struggled mightily to recalibrate this program in light of the many forces the last 7 months have brought to bear. This year’s iteration will take a very different shape than in years past, and we’re delighted to go on this journey of discovery with an expanded group of eight fellows: Leonie Bell, Nana Dakin, Michaela Escarcega, Estefanía Fadul, Rachel Gita Karp, Arpita Mukherjee, Keenan Oliphant and Joan Sergay and four mentors: Anne Kauffman, Daniel Aukin, Niegel Smith and Laurie Woolery. Read more about them HERE
Congratulations to the 2020 Clubbed Thumb Biennial Commission winners, finalists and semifinalists
We are pleased to announce the winners of the 2020 Biennial Commission: Francesca Pazniokas and Jacob Perkins and to the 10 finalists and semifinalists also awarded this year. Read more HERE
What the Constitution Means to Me streaming on Amazon Prime, starting October 16th
Though the national tour is on hold, you can still catch Heidi Schreck’s beloved play (which originated in Summerworks 2017) before the election.
Filmed during their last week on Broadway, and directed for the screen by Marielle Heller, What the Constitution Means to Me will stream on Amazon Prime beginning October 16th.
Meet the next Early-Career Writers' Group
We’re excited to get to know these eight writers over the course of the coming year, and to welcome them into the Clubbed Thumb fold: Nelson Diaz-Marcano, Allyson Dwyer, Nazareth Hassan, Johnny Lloyd, Cristina Luzárraga, Kathy Ng, Hanna Novak & Ruth Tang.
They’ll be sharing their work (by Zoom for now) over the next eight months (and we hope to share it with you after that). Learn more about them HERE.
A head-spinning production from Clubbed Thumb’s invaluable Summerworks series of new plays…As is usually true of Clubbed Thumb, the production has been expertly and attractively mounted…one of this season’s tastier diversions. Critic’s Pick!
-Ben Brantley, New York Times, Review of King Philip’s Head Is Still On That Pike Just Down The Road, 2019
To your cherished list of warm-weather city pleasures, you should think about adding Summerworks. Now 23 years old, this staple of the East Village culturescape…allows you to say you knew certain rising playwrights before your friends did.
-Ben Brantley, New York Times, Review of Tin Cat Shoes, 2018
A perfect summer show, a trick Clubbed Thumb seems to have mastered. The Summerworks home at the Wild Project in the East Village, with its garage-door entry open to the street, makes seeing the plays seem like a friendly invitation instead of a cultural duty.
-Jesse Green, New York Times, Review of Wilder Gone, 2018
If you know Clubbed Thumb — and you should, because the company has more than 20 years of gutsy new play development under its belt — you’ll recognize this as a very Clubbed Thumb show: idiosyncratic, nonrealistic, gently experimental with a Downtown’s greatest hits compilation of a cast.
-Alexis Soloski, NYT, Review of Lunch Bunch, 2019
A smart, funny, poignant meditation on gender and historical memory, speaking as convincingly to our own time as any drama set in the present.
-Miriam Felton-Dansky, Village Voice, Review of Men on Boats, 2016
A rollicking history pageant…brought to infectiously vidid life…CRITICS’ PICK!
-Ben Brantley, Review of Men on Boats, 2015
As has become customary at Clubbed Thumb’s Summerworks Festival, the cast, direction and design are top-notch, though it only costs a pittance to get in. In terms of dollars per laugh, the value here is extremely high.
-Helen Shaw, Time Out New York, Review of Tin Cat Shoes, 2018