THIS WEEK WE'RE WORKSHOPPING TWO COMMISSIONS
We’re delighted to have nearly 20 artists in the building this week working on two of our current commissions. We’ll have a presentation of each, but seating is very limited – let us know if you can join and we’ll send along the info
The Woman’s Party by Rinne Groff, directed by GT Upchurch — Friday, Dec 7th at 1:00pm. and Spindle Shuttle Needle by Gab Reisman, directed by Tamilla Woodard — Saturday, Dec 8th at 3:30pm. RSVP to firstname.lastname@example.org
CELEBRATE THE HOLIDAYS WITH CLUBBED THUMB
Join us as we celebrate all we’ve done in 2018! There’ll be a big pot of gløgg, dancing around the tree, our signature strange and unusual traditions — and who knows, YOU might be the Troll King this year. It’s free – but do RSVP so we know how large of a marzipan pig to make
We’re back in Superlab this week, working on We Are Radios, by Chana Porter, with composer Ted Hearne, directed by Adam Greenfield and featuring Bill Buell, Tomás Cruz, Gregg Mozgala, Alex Flores, Kristine Haruna Lee and Annette O’Toole. Join us on Friday, Oct 12th at 3pm to hear the play —
RSVP to email@example.com
QUINN CORBIN JOINS THE CLUBBED THUMB STAFF AS ADVANCEMENT DIRECTOR
We first met Quinn many years ago, when she was working as a literary agent for Gersh; in fact it was she who sent us a play by and urged us to meet with a talented young playwright named Jaclyn Backhaus. Since then, Quinn has been building her skills with fundraising and events, as well as reading plays and adjudicating awards for institutions across the country–and so comes to us with the perfect mix of experiences we were looking for. She’s great, we’re lucky to have her on our team, and we can’t wait for you to get to know her at an upcoming event.
MEET THE 2018/2019 EARLY-CAREER WRITERS' GROUP
We’re excited to introduce you to (and get to know ourselves) eight writers, nominated by our mid-career alumni community, who will meet over the coming season – culminating in presentations of their work during Summerworks. They are: Alexander Paris, April Ranger, Emma Goidel, Lily Akerman, Lizzie Stern, Sanaz Toossi, T. Adamson and Zhu Yi – learn more about them HERE
THANKS FOR COMING TO INDEED, FRIEND!
Thank you to the many people who made it out to our workshop production of INDEED, FRIEND! by Eliza Bent, directed by Knud Adams, a co-production with Playwrights Horizons Theater School. Click HERE to check out some photos from the show
ANNOUNCING A NEW OPEN-APPLICATION COMMISSIONING OPPORTUNITY FOR WRITERS OF COLOR
Like our Biennial Commission, this application asks that writers respond to a series of prompts with a proposal for a full-length play, which will be read without the readers’ knowledge of the writer’s identity. One or more writers will be awarded (or will share) a $15,000 commission. Read more and submit HERE
ANNOUNCING THE 2018/2019 DIRECTING FELLOWS
We are excited to introduce you to the incoming cohort of Directing Fellows: Tara Ahmadinejad, Sarah Blush and Kate Eminger.
This fall they’ll develop plays by Sarah Einspanier, Amina Henry and Bryna Turner with student actors from Playwrights Horizons Theater School, and in January we’ll present those plays with professional casts at our fourth-annual WINTERWORKS.
Read more about the directors and the program HERE.
To your cherished list of warm-weather city pleasures, you should think about adding Summerworks. Now 23 years old, this staple of the East Village culturescape…allows you to say you knew certain rising playwrights before your friends did.
-Ben Brantley, New York Times, Review of Tin Cat Shoes, 2018
A perfect summer show, a trick Clubbed Thumb seems to have mastered. The Summerworks home at the Wild Project in the East Village, with its garage-door entry open to the street, makes seeing the plays seem like a friendly invitation instead of a cultural duty.
-Jesse Green, New York Times, Review of Wilder Gone, 2018
A smart, funny, poignant meditation on gender and historical memory, speaking as convincingly to our own time as any drama set in the present.
-Miriam Felton-Dansky, Village Voice, Review of Men on Boats, 2016
A rollicking history pageant…brought to infectiously vidid life…CRITICS’ PICK!
-Ben Brantley, Review of Men on Boats, 2015
As has become customary at Clubbed Thumb’s Summerworks Festival, the cast, direction and design are top-notch, though it only costs a pittance to get in. In terms of dollars per laugh, the value here is extremely high.
-Helen Shaw, Time Out New York, Review of Tin Cat Shoes, 2018