THANKS FOR COMING TO INDEED, FRIEND!
Thank you to the many people who made it out to our workshop production of INDEED, FRIEND! by Eliza Bent, directed by Knud Adams, a co-production with Playwrights Horizons Theater School. Click HERE to check out some photos from the show
ANNOUNCING A NEW OPEN-APPLICATION COMMISSIONING OPPORTUNITY FOR WRITERS OF COLOR
Like our Biennial Commission, this application asks that writers respond to a series of prompts with a proposal for a full-length play, which will be read without the readers’ knowledge of the writer’s identity. One or more writers will be awarded (or will share) a $15,000 commission. Read more and submit HERE
THE REST I MAKE UP RETURNS TO MOMA
Lovers of Maria Irene Fornes should check out Michelle Memran’s documentary on her life and work, The Rest I Make Up, running at MoMA August 23rd through 29th. Details HERE
ANNOUNCING THE 2018/2019 DIRECTING FELLOWS
We are excited to introduce you to the incoming cohort of Directing Fellows: Tara Ahmadinejad, Sarah Blush and Kate Eminger.
This fall they’ll develop plays by Sarah Einspanier, Amina Henry and Bryna Turner with student actors from Playwrights Horizons Theater School, and in January we’ll present those plays with professional casts at our fourth-annual WINTERWORKS.
Read more about the directors and the program HERE.
THANK YOU FOR MAKING IT A GREAT SUMMERWORKS
We are exceptionally proud of the work we put out over the last seven weeks. Thank you to the over 150 artists, staff and interns who made it happen, and to the over 3,300 people who came to see a show this summer.
We were also excited to introduce you to the plays of our early-career writers’ group throughout the festival, as well as the work of Chris Brown (Summerworks’s Master Electrician of many years) whose drawings of the East Village filled the lobby gallery. (Check out his work HERE and contact him to buy something!)
The 2017 Clubbed Thumb Biennial Commission goes to Angela Hanks and Gabrielle Reisman!
We received a record number of submissions for this year’s Biennial Commission – thank you to everyone who sent in a proposal! The panel elected to split the prize between Angela and Gabrielle, and to award three finalists–Gracie Gardner, Paul Cameron Hardy and Daniel Glenn–$1,000 and a workshop
To your cherished list of warm-weather city pleasures, you should think about adding Summerworks. Now 23 years old, this staple of the East Village culturescape…allows you to say you knew certain rising playwrights before your friends did.
-Ben Brantley, New York Times, Review of Tin Cat Shoes, 2018
A perfect summer show, a trick Clubbed Thumb seems to have mastered. The Summerworks home at the Wild Project in the East Village, with its garage-door entry open to the street, makes seeing the plays seem like a friendly invitation instead of a cultural duty.
-Jesse Green, New York Times, Review of Wilder Gone, 2018
A smart, funny, poignant meditation on gender and historical memory, speaking as convincingly to our own time as any drama set in the present.
-Miriam Felton-Dansky, Village Voice, Review of Men on Boats, 2016
A rollicking history pageant…brought to infectiously vidid life…CRITICS’ PICK!
-Ben Brantley, Review of Men on Boats, 2015
As has become customary at Clubbed Thumb’s Summerworks Festival, the cast, direction and design are top-notch, though it only costs a pittance to get in. In terms of dollars per laugh, the value here is extremely high.
-Helen Shaw, Time Out New York, Review of Tin Cat Shoes, 2018