What's Happening!

  • OUR NEXT OPEN APPLICATION COMMISSION IS NOW LIVE!

    Every year Clubbed Thumb invites playwrights to propose plays inspired by a particular prompt. The application is free and open to all; the anonymous proposals are read by a panel of theater artists. The winning proposal(s) receive (or split) a $15,000 award and development support. (Read more about our new approach to play submissions HERE.)

    This year, thanks to the gift of an anonymous sponsor, we are pleased to announce our next submission opportunity: Anthropology of the Workplace – a Margaret Mead Commission.

    READ MORE & SUBMIT HERE

  • THE FAMILY DOG WILL RETURN IN 2027!

    Summerworks 2026’s sold-out, hit production of THE FAMILY DOG by Bailey Williams, directed by Tara Ahmadinejad and starring the original cast will return for FOUR WEEKS ONLY, February 9 – March 6, 2027 at New York Theatre Workshop. Tickets will go on sale in a few weeks – sign up for our EBLAST to get updates, early access and special ticket deals!

  • THANK YOU FOR MAKING OUR GALA A GREAT SUCCESS

    Thanks to everyone who joined us to honor Josh Silverman, and to everyone who contributed to make it a truly special night.

    It’s not too late to contribute to the Josh Silverman Fund! DONATE HERE

  • MEET OUR 26/27 GROUP COHORTS!

    A very warm welcome to the incoming writers and directors taking part in Clubbed Thumb’s Early-Career Writers’ Group and New Play Fellowship!

    Directors Cricket Brown, Marissa Joyce Stamps and Jillian Jetton will work on plays by Daniel Holzman, Aaron Ricciardi and Nikhil Mahapatra respectively – stay tuned for a Winterworks announcement.

    And we’re looking forward to getting to know Agyeiwaa Asante, Ida Cutler, Carlin Feck, Fiona Gorry-Hines, Salwa Meghjee, Derick Edgren Otero, Jacob K. Robinson and Amy B. Tiong in this year’s writers’ group!

  • THANK YOU FOR COMING TO SUMMERWORKS 2026

    Whether it was your first Summerworks or your 29th, we are so pleased you could join us. CLICK HERE for photos, essays and press from this season.

    We’ll be spending the summer incubating and planning for the fall, but we have lot of news to share, so watch this space!

  • OUR NEW ANTHOLOGY - ON SALE NOW

    We’ve been eager to put out a second anthology since Funny, Strange, Provocative was published in 2007, and the last year finally provided us with the time to take on this long-awaited project. We are thrilled to announce that Unusual Stories, Unusually Told, published by Bloomsbury/Methuen, is now available!

    In it you’ll find seven Clubbed Thumb plays that span 18 years of our history, as well as essays and interviews about the work, and the often atypical processes that led to their productions.

    Read more about the book and get your discounted copy (and our first anthology) HERE

feminized meat and other unicorns by Ro Reddick

In season one, episode six of the Real Housewives of New York, Bethenny Frankel, an upwardly mobile natural food chef, is having drinks with fellow housewife, Countess LuAnn de Lesseps, when she declares that they won’t be having cocktails tonight, they’ll be having tequila! Frankel then orders: “Patron Silver on the rocks. Fresh lime juice. A splash of Triple Sec. I only drink one drink. I call it the skinny girl’s margarita.” The Countess, intrigued, (and not one to be left out of the category “skinny”), promptly orders the same thing for herself – and in a Bravo TV minute a new drink is born. Now here’s where you might raise a skeptical eyebrow: hasn’t Frankel simply listed the ingredients that makes up nearly every margarita on the face of the Earth? Yes, but she’s also given it a name, Skinny Girl, and imbued it with the power of her own attractiveness and thinness to make not just a drink, but a multimillion dollar food and beverage brand. 

And it is in the lineage of our first great Real Housewife that we meet Georgina and Lisa in Milo Cramer’s sharp and funny Business Ideas, a play that follows a mother, Georgina who has dragged her daughter Lisa to the local coffee shop in an effort to spitball their way back to the middle class. Armed with all the accoutrement of a hackathon, they brainstorm a litany of absurd and hilarious ideas, obvious gimmicks. 

Sianne Ngai’s Theory of the Gimmick, defines gimmicks as, “overrated devices that strike us as working too little (labor saving tricks) but also as working too hard (strained efforts to get our attention)… a contrivance.” But what a delight they can be! Ngai acknowledges the gimmick’s “irritating yet strangely attractive…” qualities, which are on display as we watch the duo’s ideas evolve from gimmicky products to gimmicky brands.

GEORGINA

butch artichoke, killer romaine,

LISA

or feminized meat

GEORGINA

wow if we could somehow

feminize meat

LISA

and then charge ten percent more. and then retire early.

…

GEORGINA

so the battle becomes: branding. everyone “has” artichoke.

but only our artichoke. Means sex

A brand is first and foremost a promise. The power of that promise lies in the brand’s ability to deliver on it again and again and again… It is inside this loop of a repeatable consumer experience that we find the elusive brand premium. Georgina and Lisa know what Bethenny knows, that the brand premium they seek has a cheat code: gender. Turning a neutral object (or playing off of people’s gendered perceptions of a neutral object) is a bit of a branding magic trick. A labor saving device for the entrepreneur; a gimmick, if you will. A magic wand that when waived will meet the needs of an underserved market: women seeking a high protein meal without getting all that machismo stuck in their teeth. Lip steak, hip steak, slim steak, please!

Ngai tells us, we are in relation to one another when we encounter the gimmick. For every smartypants that spots the gimmick, declares it deficient, laughs at its folly, there is a sucker right beside them thinking, say, that’s a pretty good idea! The communal space of the coffee shop becomes essential here, allowing “suckers” and “smarties” to float through the play and drop their assessments –  but we, the audience, are also in relation. We sit in judgement (or wonder), watching from the house as the duo rattle off ideas like man salads and butch artichokes and laugh and laugh – or take notes… 

We also take note of Emmie Finckel’s elegant set design complete with accents like “Stressed, blessed, and coffee obsessed” painted above the tables, pointing our attention towards yet another gimmick: the coffee shop. 

GEORGINA

this is the kinda place people Start Businesses.

LISA

…this place?

A hallowed space, a fount of entrepreneurial energy. The brick and mortar icon of millennial hustle culture. The very structure itself a cheat code: a liminal space where artisanal beverages and gendered commodities meet to turn ideas into unicorns. 

A space where Buisness ideas?? 

becomes Bu$ine$$ Idea$

becomes Biz-nas Ideaz

becomes BUSINESS IDEAS.