MEET THE 2018/2019 EARLY-CAREER WRITERS' GROUP
We’re excited to introduce you to the eight writers from our early-career group as they present their work throughout Summerworks, starting this week! They are: Alexander Paris, April Ranger, Emma Goidel, Lily Akerman, Lizzie Stern, Sanaz Toossi, T. Adamson and Zhu Yi – see the schedule and RSVP HERE
SUMMERWORKS IS NOW OPEN!
Lunch Bunch – the first production of Summerworks 2019 – is a NYTimes Critic’s Pick!! All evening shows are sold out – but there are tickets available for the newly-added Saturday, May 25th 3pm matinee – get yours HERE
OUR BELOVED PRODUCTION OF PLANO HAS COME TO A CLOSE
Congratulations to the incredible team of artists who worked tirelessly to re-mount our production of Plano. We are so proud of what we all accomplished together, and delighted to have hosted over 3,000 audience members throughout the run. We couldn’t be happier – so thank you. Check out our Instagram to see photos of many of the wonderful people who visited Plano
MEET THE CAST OF SUMMERWORKS 2019
Our 24th Annual Mini-Season of New Plays is just around the corner! Featuring: Lunch Bunch by Sarah Einspanier, directed by Tara Ahmadinejad; You Never Touched the Dirt by Zhu Yi, directed by Ken Rus Schmoll; and King Philip’s Head Is Still On That Pike Just Down The Road by Daniel Glenn, directed by Caitlin Ryan O’Connell. Read more and get your tickets HERE
THANK YOU TO EVERYONE WHO ATTENDED AND SUPPORTED OUR 2019 GALA
We were delighted to celebrate Sarah DeLappe, Heidi Schreck and Jaclyn Backhaus at our gala last night–thank you to the many artists who made it a fantastic party, and thank you to everyone who attended and contributed–it was a huge success and we were touched and honored by the outpour of support.
And if you couldn’t be there, it’s ok – there’s still time to contribute HERE
HAPPY OPENING TO HEIDI SCHRECK AND THE WHOLE CONSTITUTION TEAM
We’re thrilled to be above-the-title on a Broadway show for the first time, and doubly thrilled it is with our much beloved production from Summerworks 2017, What The Constitution Means to Me. Running now for a limited time at the Helen Hayes Theater – tickets and info HERE
SUPERLAB: FEATURING ANGELA HANKS
This week we’re giving Angela Hanks’s 2017 Biennial Commission Bodies they Ritual the Superlab treatment. Join us on Friday, March 15 at 3pm to hear the play, directed by Jeremy Bloom
JOIN US FOR SUPERLAB
This week we’re working on Daniel Glenn’s King Philip’s Head is Still on That Pike Just Down the Road, directed by Caitlin Ryan O’Connell – join us on Tuesday, February 19th at 3pm to hear the play. RSVP to email@example.com
WINTERWORKS 2019 HAS COME TO AN END
Thank you to the 35 artists and nearly 400 audience members who supported the work of our18/19 Directing Fellows: Tara Ahmadinejad, Sarah Blush and Kate Eminger. It was a great six months with these directors, and we look forward to a long relationship with each of them. Read more about them, and the program, HERE
Playwright Vivian Barnes has been awarded our 2018 open-application commission!
We just met Vivian at our holiday party, and didn’t think we had read her work—-or were about to give her $10,000! We look forward to getting to know her and working together over the next few years.
The panel–which included Jaclyn Backhaus, Migdalia Cruz, April Matthis, and CT’s Michael Bulger and Maria Striar–read 140 anonymous proposals, selecting Vivian’s for the grand prize, and awarding five finalists $1,000 each: Kori Alston, Phillip Howze, Deneen Reynolds-Knott, Ruth Tang and Andrea Thome.
12 semi-finalists were also named: John J Caswell, Jr., Preston Choi, Daniella De Jesus, Noah Diaz, Georgina Escobar, Deepali Gupta, Kristine Haruna Lee, Daniel K. Isaac, Julia Izumi, Garrett Kim, Johnny Lloyd and Maia Matsushita. Congratulations, and thank you to everyone who applied!
THIS WEEK WE'RE WORKSHOPPING TWO COMMISSIONS
We’re delighted to have nearly 20 artists in the building this week working on two of our current commissions. We’ll have a presentation of each, but seating is very limited – let us know if you can join and we’ll send along the info
The Woman’s Party by Rinne Groff, directed by GT Upchurch — Friday, Dec 7th at 1:00pm. and Spindle Shuttle Needle by Gab Reisman, directed by Tamilla Woodard — Saturday, Dec 8th at 3:30pm. RSVP to firstname.lastname@example.org
We’re back in Superlab this week, working on We Are Radios, by Chana Porter, with composer Ted Hearne, directed by Adam Greenfield and featuring Bill Buell, Tomás Cruz, Gregg Mozgala, Alex Flores, Kristine Haruna Lee and Annette O’Toole. Join us on Friday, Oct 12th at 3pm to hear the play —
RSVP to email@example.com
Clubbed Thumb commissions, develops and produces funny, strange and provocative new plays by living American writers. Clubbed Thumb is a groundbreaker, with a precise curatorial vision and a remarkable track record for launching artists’ careers; and an incubator, nurturing plays, collaborations, and above all artists, through thoughtfully deployed resources, opportunities, mentorship and hospitality.
Clubbed Thumb’s plays vary in style and content, but are always 90 minutes or under. They feature substantial and challenging roles for both men and women, are questioning, formally inventive, theatrical, and exhibit a sense of humor. Since its founding in 1996, the company has presented nearly 100 productions, and has been awarded 5 Obies, including the Ross Wetzsteon award for sustained excellence.
In SUMMERWORKS we produce an aesthetically diverse season of three new plays, each of which has two weeks of performances. It often provides a writers’ first professional opportunity – Clare Barron and Gina Gionfriddo had their first shows in Summerworks; Sarah Ruhl, Jordan Harrison and Lisa D’Amour made their NYC debuts.
Outside of Summerworks we have also produced plays by Deborah Eisenberg, Mac Wellman, Jeffrey Jones, Erin Courtney, Rinne Groff, Adam Bock, Jordan Harrison, Sheila Callaghan and Jaclyn Backhaus.
Clubbed Thumb has two paths to commissioning: The Clubbed Thumb Biennial Commission, a $15,000 award, which has an open-application process in which submissions are read blind (7 plays to date); and commissions via other organizations, primarily NYSCA (12 plays).
Clubbed Thumb offers several development programs:
Superlab: a five-play development series co-curated with Playwrights Horizons.
The Clubbed Thumb Writers’ Group: eight mid-career alumni playwrights develop their work over 12 three-hour sessions. Culminates in an annual retreat at Two River Theatre in July.
Other activity includes: Script-revision workshops of plays by new, alumni, and commissioned playwrights; staging & design workshops; occasional co-productions with Playwrights Horizons Theater School and an open play submission policy.
Early-Career Writers’ Group: Eight playwrights and mentors are nominated by our mid-career alumni playwrights. In addition to regular meetings, the writers create a collaborative piece to open Summerworks, and each writer has a reading during Summerworks.
Early-Career Directing Fellowship: CT directors Anne Kauffman and Ken Rus Schmoll mentor three early-career directors in a five-month new play directing intensive. Each director is paired with an early/mid-career playwright to develop a new piece with students at Playwrights Horizons Theater School over the course of three months. This is followed by a three-week process with professional actors, stage managers and designers, culminating in Winterworks – a five-day industry showcase of their work.
Producing Fellowship: Two early-career creative producers assist on all programming, as well as casting, script evaluation, management and marketing under the guidance/mentorship of Clubbed Thumb staff, culminating in hands-on roles in Summerworks.
Every Angel is Brutal