THANKS FOR COMING TO INDEED, FRIEND!
Thank you to the many people who made it out to our workshop production of INDEED, FRIEND! by Eliza Bent, directed by Knud Adams, a co-production with Playwrights Horizons Theater School. Click HERE to check out some photos from the show
ANNOUNCING A NEW OPEN-APPLICATION COMMISSIONING OPPORTUNITY FOR WRITERS OF COLOR
Like our Biennial Commission, this application asks that writers respond to a series of prompts with a proposal for a full-length play, which will be read without the readers’ knowledge of the writer’s identity. One or more writers will be awarded (or will share) a $15,000 commission. Read more and submit HERE
THE REST I MAKE UP RETURNS TO MOMA
Lovers of Maria Irene Fornes should check out Michelle Memran’s documentary on her life and work, The Rest I Make Up, running at MoMA August 23rd through 29th. Details HERE
ANNOUNCING THE 2018/2019 DIRECTING FELLOWS
We are excited to introduce you to the incoming cohort of Directing Fellows: Tara Ahmadinejad, Sarah Blush and Kate Eminger.
This fall they’ll develop plays by Sarah Einspanier, Amina Henry and Bryna Turner with student actors from Playwrights Horizons Theater School, and in January we’ll present those plays with professional casts at our fourth-annual WINTERWORKS.
Read more about the directors and the program HERE.
THANK YOU FOR MAKING IT A GREAT SUMMERWORKS
We are exceptionally proud of the work we put out over the last seven weeks. Thank you to the over 150 artists, staff and interns who made it happen, and to the over 3,300 people who came to see a show this summer.
We were also excited to introduce you to the plays of our early-career writers’ group throughout the festival, as well as the work of Chris Brown (Summerworks’s Master Electrician of many years) whose drawings of the East Village filled the lobby gallery. (Check out his work HERE and contact him to buy something!)
The 2017 Clubbed Thumb Biennial Commission goes to Angela Hanks and Gabrielle Reisman!
We received a record number of submissions for this year’s Biennial Commission – thank you to everyone who sent in a proposal! The panel elected to split the prize between Angela and Gabrielle, and to award three finalists–Gracie Gardner, Paul Cameron Hardy and Daniel Glenn–$1,000 and a workshop
Clubbed Thumb commissions, develops and produces funny, strange and provocative new plays by living American writers. Clubbed Thumb is a groundbreaker, with a precise curatorial vision and a remarkable track record for launching artists’ careers; and an incubator, nurturing plays, collaborations, and above all artists, through thoughtfully deployed resources, opportunities, mentorship and hospitality.
Clubbed Thumb’s plays vary in style and content, but are always 90 minutes or under. They feature substantial and challenging roles for both men and women, are questioning, formally inventive, theatrical, and exhibit a sense of humor. Since its founding in 1996, the company has presented nearly 100 productions, and has been awarded 5 Obies, including the Ross Wetzsteon award for sustained excellence.
In SUMMERWORKS we produce an aesthetically diverse season of three new plays, each of which has two weeks of performances. It often provides a writers’ first professional opportunity – Clare Barron and Gina Gionfriddo had their first shows in Summerworks; Sarah Ruhl, Jordan Harrison and Lisa D’Amour made their NYC debuts.
Outside of Summerworks we have also produced plays by Deborah Eisenberg, Mac Wellman, Jeffrey Jones, Erin Courtney, Rinne Groff, Adam Bock, Jordan Harrison, Sheila Callaghan and Jaclyn Backhaus.
Clubbed Thumb has two paths to commissioning: The Clubbed Thumb Biennial Commission, a $15,000 award, which has an open-application process in which submissions are read blind (7 plays to date); and commissions via other organizations, primarily NYSCA (12 plays).
Clubbed Thumb offers several development programs:
Superlab: a five-play development series co-curated with Playwrights Horizons.
The Clubbed Thumb Writers’ Group: eight mid-career alumni playwrights develop their work over 12 three-hour sessions. Culminates in an annual retreat at Two River Theatre in July.
Other activity includes: Script-revision workshops of plays by new, alumni, and commissioned playwrights; staging & design workshops; occasional co-productions with Playwrights Horizons Theater School and an open play submission policy.
Early-Career Writers’ Group: Eight playwrights and mentors are nominated by our mid-career alumni playwrights. In addition to regular meetings, the writers create a collaborative piece to open Summerworks, and each writer has a reading during Summerworks.
Early-Career Directing Fellowship: CT directors Anne Kauffman and Ken Rus Schmoll mentor three early-career directors in a five-month new play directing intensive. Each director is paired with an early/mid-career playwright to develop a new piece with students at Playwrights Horizons Theater School over the course of three months. This is followed by a three-week process with professional actors, stage managers and designers, culminating in Winterworks – a five-day industry showcase of their work.
Producing Fellowship: Two early-career creative producers assist on all programming, as well as casting, script evaluation, management and marketing under the guidance/mentorship of Clubbed Thumb staff, culminating in hands-on roles in Summerworks.
Every Angel is Brutal