What's Happening!

  • OUR NEXT OPEN APPLICATION COMMISSION IS NOW LIVE!

    Every year Clubbed Thumb invites playwrights to propose plays inspired by a particular prompt. The application is free and open to all; the anonymous proposals are read by a panel of theater artists. The winning proposal(s) receive (or split) a $15,000 award and development support. (Read more about our new approach to play submissions HERE.)

    This year, thanks to the gift of an anonymous sponsor, we are pleased to announce our next submission opportunity: Anthropology of the Workplace – a Margaret Mead Commission.

    READ MORE & SUBMIT HERE

  • THE FAMILY DOG WILL RETURN IN 2027!

    Summerworks 2026’s sold-out, hit production of THE FAMILY DOG by Bailey Williams, directed by Tara Ahmadinejad and starring the original cast will return for FOUR WEEKS ONLY, February 9 – March 6, 2027 at New York Theatre Workshop. Tickets will go on sale in a few weeks – sign up for our EBLAST to get updates, early access and special ticket deals!

  • THANK YOU FOR MAKING OUR GALA A GREAT SUCCESS

    Thanks to everyone who joined us to honor Josh Silverman, and to everyone who contributed to make it a truly special night.

    It’s not too late to contribute to the Josh Silverman Fund! DONATE HERE

  • MEET OUR 26/27 GROUP COHORTS!

    A very warm welcome to the incoming writers and directors taking part in Clubbed Thumb’s Early-Career Writers’ Group and New Play Fellowship!

    Directors Cricket Brown, Marissa Joyce Stamps and Jillian Jetton will work on plays by Daniel Holzman, Aaron Ricciardi and Nikhil Mahapatra respectively – stay tuned for a Winterworks announcement.

    And we’re looking forward to getting to know Agyeiwaa Asante, Ida Cutler, Carlin Feck, Fiona Gorry-Hines, Salwa Meghjee, Derick Edgren Otero, Jacob K. Robinson and Amy B. Tiong in this year’s writers’ group!

  • THANK YOU FOR COMING TO SUMMERWORKS 2026

    Whether it was your first Summerworks or your 29th, we are so pleased you could join us. CLICK HERE for photos, essays and press from this season.

    We’ll be spending the summer incubating and planning for the fall, but we have lot of news to share, so watch this space!

  • OUR NEW ANTHOLOGY - ON SALE NOW

    We’ve been eager to put out a second anthology since Funny, Strange, Provocative was published in 2007, and the last year finally provided us with the time to take on this long-awaited project. We are thrilled to announce that Unusual Stories, Unusually Told, published by Bloomsbury/Methuen, is now available!

    In it you’ll find seven Clubbed Thumb plays that span 18 years of our history, as well as essays and interviews about the work, and the often atypical processes that led to their productions.

    Read more about the book and get your discounted copy (and our first anthology) HERE

Why do people go to little coffee shops? by Gracie Gardner

Why do people go to little coffee shops?

To savor a morning ritual? To support a local business? To experience community?

Or is it to approximate closeness with someone who is trapped behind a counter and cannot leave? To have a pretend mommy who gives you sweet foamy milk in a see-through cup? Is it so you can order someone around first thing in the morning? And they have to do what you say because their livelihood depends on it? Do you need to practice holding power over someone else before your day can really start?

Milo’s play Business Ideas studies the vulnerability of service work with the measured pressure of an espresso tamper compacting coffee grounds into a puck. Despite being set in a coffee shop, the stage directions never actually mention the exchange of coffee for money. That’s sort of besides the point. What they’re really buying is a brief moment of being perceived as important. If they don’t get this, they’re dissatisfied. When one customer becomes impossibly particular about an order, there is no way to get it right, the barista Patty grits through her teeth: “I really want. To make it perfect for you.”

When I was a barista, I tended to register those long winding orders as a cry for help. A coffee order can go on so long it turns into emotional transference. Do people who are in a rush know they can make coffee at a pace of their discretion from the convenience of their own homes? Another customer, who claims to be a surgeon, takes it to Yelp: “Because coffee was given to me slowly, a woman died.” Later, Patty worries: “I somehow have not been told the secret… that everyone else has been told.”

She isn’t the only one. At a table in the cafe, the titular Business Ideas are being frothed up by a recently laid-off mother and her college-bound daughter, doomily brainstorming a Shark-worthy plan to raise tuition funds. Every proposal mom makes has mom extracting labor from her daughter, compromising her morals, or confusing hard work with access to capital. They circle around solutions to invented problems, but get jammed up in the execution. Nothing is viable. The closest they get to something they could actually accomplish is by rebranding things that already exist. Mom pitches: “everyone ‘has’ artichoke. but only our artichoke. Means sex.”

In the world of Business Ideas, the people in power are unknowable and nameless. Parent and child are business associates. And Patty is $80,000 in student debt and working for minimum wage. It’s a play that captures that queasy catch-22 of Milo’s generation: they graduated from college at a time when entry level positions required years of experience, downstream of boomers refusing to retire because they linked their value to their productivity, and media outlets blamed their financial precarity on their coffee habits.

But really… What a bargain is five dollars to be in charge of something for a change? Even if it’s just a tiny baby cup of espresso? To indulge in a ridiculously exacting request of what you want? Will you be ready to face the indignity of your day ahead as soon you get your large cup of warm sugary milk?