What's Happening!
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SUMMERWORKS 2026 IS ALMOST HERE!
Our annual line-up of three brand-new plays is approaching, featuring: TITANS by Jesse Jae Hoon, directed by Tara Elliott; DERANGEMENTS by Nadja Leonhard-Hooper, directed by Annie Tippe; and THE FAMILY DOG by Bailey Williams, directed by Tara Ahmadinejad.
Running May 14 – Jun 30 at the Wild Project. TICKETS ON SALE NOW!
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SUMMERWORKS 2025'S SOLD-OUT CRITIC'S PICK COLD WAR CHOIR PRACTICE RETURNS
Tickets for Ro Reddick’s COLD WAR CHOIR PRACTICE are on sale now! The Summerworks 2025 Critic’s Pick, directed by Knud Adams, will return for an extended run co-produced by MCC Theater, Clubbed Thumb and Page 73. CLICK HERE FOR TICKETS & INFO
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MEET OUR NEW GROUP COHORTS!
A very warm welcome to the incoming writers and directors taking part in Clubbed Thumb’s Early-Career Writers’ Group and New Play Fellowship!
Directors Terrence I Mosley, Liz Peterson and Hanna Yurfest will work on newly commissioned plays by Max Mooney, jose sebastian alberdi and Emma Horwitz respectively – stay tuned for a Winterworks announcement.
And we’re looking forward to getting to know Alyssa Haddad-Chin, Doug Robinson, Dylan Guerra, Jan Rosenberg, Jen Diamond, Nadja Leonard-Hooper, Sarah Grace Goldman and Yulia Tsukerman in this year’s writers’ group!
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THANK YOU FOR MAKING OUR GALA A GREAT SUCCESS
Thanks to everyone who joined us to honor Crystal, Susannah, and Miriam, and to everyone who contributed to make it a truly special night.
We were moved by the warmth and generosity in the room on Monday October 6th — lots of hugs, laughter and a even few happy tears. These three are the real deal and we are lucky to know them; we’re excited to keep celebrating them and working with them for many years to come.
Actors are at the heart of what we do, and it’s not too late to support them with a gift to our 2025 gala! DONATE HERE
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THANK YOU FOR COMING TO SUMMERWORKS 2025
Whether it was your first Summerworks or your 28th, we are so pleased you could join us. CLICK HERE for some photos and essays from this season.
We’ll be spending the summer incubating and planning for the fall, but we have lot of news to share, so watch this space!
In the meantime, we’re pleased to announce that our outgoing board chair will match donations up to a total of $25,000 to support future remounts of Summerworks shows (like this season’s Deep Blue Sound). He wants us to keep it up – and so do we! CLICK HERE TO JOIN THAT EFFORT
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ANNOUNCING SUMMERWORKS 2025
Due to overwhelming demand, we’re adding performances this year – but Summerworks shows always sell out, so lock in your seats with a pass!
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THANK YOU FOR A GREAT RUN!
Spending the last two months with Deep Blue Sound has been a joy and a balm. We are deeply proud of the work, and humbled by the talent and dedication of this company of artists.
The show played for six sold-out weeks and we added as many shows as we could – but sadly, we closed this weekend. Thank you to the over 4,000 people who came to visit our island. And thank you to all the artists, staff, funders and friends who made it possible. This was a special one.
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NOW PLAYING: DEEP BLUE SOUND
Our “devastatingly beautiful” production from Summerworks 2023 returns for a limited engagement, in residence at the Public Theater. Now playing! CLICK HERE FOR TICKETS
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WINTERWORKS 2025 HAS COME TO A CLOSE
Thank you to the hundreds of people who joined as at Playwrights Downtown for the 10th annual Winterworks. We were so proud of the work these amazing artists made — and we managed to cram everyone in to share it. Congratulations especially to Directing Fellows Iris McCloughan, NJ Agwuna and Laura Dupper – read more HERE
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OUR NEW ANTHOLOGY - ON SALE NOW
We’ve been eager to put out a second anthology since Funny, Strange, Provocative was published in 2007, and the last year finally provided us with the time to take on this long-awaited project. We are thrilled to announce that Unusual Stories, Unusually Told, published by Bloomsbury/Methuen, is now available!
In it you’ll find seven Clubbed Thumb plays that span 18 years of our history, as well as essays and interviews about the work, and the often atypical processes that led to their productions.
Read more about the book and get your discounted copy (and our first anthology) HERE
MEET THE 20/21 EARLY-CAREER WRITERS’ GROUP
This program is generously supported by The Barbara Bell Cumming Charitable Trust.
Cristina Luzárraga is a playwright from New Jersey whose dark comedies tend to feature unruly women and an exploration of the grotesque and uncanny. Her plays include Critical Distance, Millennialville, Havana Syndrome, and La Mujer Barbuda (2019 Screencraft Stage Play Winner and Princess Grace Award Finalist). An alum of The Second City Conservatory in Chicago and Ensemble Studio Theatre’s Youngblood collective, she is a 2019-2020 Jerome Fellow at the Playwrights’ Center in Minneapolis where she currently resides. Her work has been developed with Playmakers Repertory Company, Teatro LATEA, Tantrum Theater, IATI Theater, The New Colony, and Chicago Dramatists, and her short plays are published in anthologies by Smith and Kraus. She holds a BA from Princeton and an MFA from Ohio University.
Allyson Dwyer is an NJ/NYC playwright who is interested in cycles, technology, navigating the world as a woman, and how being a woman and technology intersect. Sometimes I write about these things together, sometimes separate. I’m currently working on a podcast as part of the inaugural SoundLab at The Brick, and a member of Clubbed Thumb’s Early Career Writer’s Group. I received my BFA from Eugene Lang, The New School for Liberal Arts, in 2012, with a concentration in Writing, and my Playwriting MFA at Augsburg University in Minneapolis, MN, in 2018.
Nelson Diaz-Marcano is a Puerto Rican playwright based in New York City. Nelson’s main artistic mission is to raise awareness about the contrasting cultures that form the communities of this nation and in doing so, explore how they all fit together in the American experiment. His plays have been developed by Milagro Theatre, the William Inge Theatre Festival, Wordsmyth, Classical Theatre of Harlem, and The Parsnip Ship among others. His work has received awards from the Samuel French OOB FEstival (“Rabiosa”,) the Fresh Fruit Festival (The Diplomats,now published by OWP) and the Downtown Urban Arts Festival (Radical.) Other recent credits include: “Paper Towels” (Intar,) “I Saw Jesus in Toa Baja” (William Inge Theatre Festival,) “World Classic” (Ingenio Milagro 2018, The Parsnip Ship,) “Revolt” (World Premiere – Vision Latino Theatre Company,) “El Yunque in English” (Citi Theatre Shorts Finalist,) “Into The River I Went” (Step 1 Theatre Project) and “Prison Song” (Downtown Urban Arts Festival 2013.) ndmstrikes.com
Hanna Novak is a New York City-based playwright. Her plays have been presented as part of the New Ohio’s Ice Factory Festival and at the Performing Garage in New York City. She is a member of the 2020-21 Clubbed Thumb early-career writers’ group and has been a resident at the Ucross Foundation in Ucross, WY. Hanna graduated from the MFA Playwriting program at Hunter College in 2018, where she studied with Branden Jacobs-Jenkins and Annie Baker. She holds a BFA from NYU Tisch School of the Arts in Dramatic Writing.
Ruth Tang is a playwright & poet, raised in Singapore and based in New York City. They are a 2020/21 New York Theatre Workshop 2050 Fellow, and a member of the Clubbed Thumb Early Career Writers’ Group 2020-21. Their past work includes Bad Chinese (Samuel French Off-Off-Broadway Festival, 2018) and Building A Character (Wild Rice Singapore, dir. Mei Ann Teo, 2018). Their play FUTURE WIFE was presented in a Weird Hypertext version at Corkscrew Festival 2020. MFA: The New School for Drama.
Johnny Lloyd is a New York-based writer and producer. Recent productions include PATIENCE (Corkscrew Theatre Festival, Columbia University), ROUND (Samuel French Off-Off Broadway Short Play Festival), IT’S A GHOST STORY (Homebase Collective), PLANT THERAPY (Columbia University), PAWN (InVersion Theatre), A BRIEF HISTORY OF STAMPS (The Tank); THE EXTREME CLIMATOLOGICAL HAPPENING (TinyRhino); and IN THE WOODS WE RETURN (Fringe NYC). Other recent plays include OR, AN ASTRONAUT PLAY; RUINATION; ROUND, and STRIP HEARTS. His work has been seen and developed at 59E59, Dixon Place, Judson Memorial Church, The Kelly’s Writers House, TheatreLab in Boca Raton, and more. Johnny is a member of the 2019-2020 Liberation Theatre Company’s Writing Residency. Johnny was a semi-finalist for the 2018 Open-Application Commission at Clubbed Thumb and was the 2017-2018 Shubert Fellow for Playwriting at Columbia University. MFA Candidate in Playwriting at Columbia University. jglloyd.weebly.com
Kathy Ng is a playwright, librettist and hybrid theater-maker from hong kong (pls liberate), currently based in brooklyn (pls liberate). the content of my stuff-stuff changes day to day, but most of them often deal with the actions of magnification and collage. i like to disrupt, communicate accumulation, and chart the starry conditions of non-humanity. i like to write about bugs, food, and MOMENTOUS BOOBS.
Nazareth Hassan is a southern writer and musician based in Brooklyn, NY. He is the 2017 recipient of the Dramatist Guild Young Playwright Award and the 2019 recipient of the Himan Brown Writing Award. His plays have been shown and workshopped in cities including New York, London, and Berlin, at institutions including The Bushwick Starr, Theatertreffen Stuckemarkt, Horizon Theater Company, and the Royal Court Theatre, where he is currently under workshop and a part of their long form writer’s group.He is also a member of the Clubbed Thumb Early Career Writer’s Group. His essays and fiction have been published by Waif Magazine, ThreadMag and Without Further Adu. He has performed as a singer at venues including Boston Symphony Hall, Joe’s Pub, Atlanta Symphony Hall, The Fox Theatre, Mercury Lounge, NY Comic Con and Lincoln Center. He received an MFA in playwriting from Brooklyn College.