What's Happening!

  • SUMMERWORKS 2025'S SOLD-OUT CRITIC'S PICK COLD WAR CHOIR PRACTICE RETURNS FOR SIX WEEKS - TICKETS ON SALE NOW!

    Tickets for Ro Reddick’s COLD WAR CHOIR PRACTICE are on sale now! The Summerworks 2025 Critic’s Pick, directed by Knud Adams, will return for an extended run co-produced by MCC Theater, Clubbed Thumb and Page 73. Friends of Clubbed Thumb have access to $45 tickets throughout the run – CLICK HERE FOR TICKETS & INFO

  • MEET OUR NEW GROUP COHORTS!

    A very warm welcome to the incoming writers and directors taking part in Clubbed Thumb’s Early-Career Writers’ Group and New Play Fellowship! 

    Directors Terrence I Mosley, Liz Peterson and Hanna Yurfest will work on newly commissioned plays by Max Mooney, jose sebastian alberdi and Emma Horwitz respectively – stay tuned for a Winterworks announcement.

    And we’re looking forward to getting to know Alyssa Haddad-Chin, Doug Robinson, Dylan Guerra, Jan Rosenberg, Jen Diamond, Nadja Leonard-Hooper, Sarah Grace Goldman and Yulia Tsukerman in this year’s writers’ group!

  • THANK YOU FOR MAKING OUR GALA A GREAT SUCCESS

    Thanks to everyone who joined us to honor Crystal, Susannah, and Miriam, and to everyone who contributed to make it a truly special night.

    We were moved by the warmth and generosity in the room on Monday October 6th — lots of hugs, laughter and a even few happy tears. These three are the real deal and we are lucky to know them; we’re excited to keep celebrating them and working with them for many years to come.

    Actors are at the heart of what we do, and it’s not too late to support them with a gift to our 2025 gala! DONATE HERE

  • THANK YOU FOR COMING TO SUMMERWORKS 2025

    Whether it was your first Summerworks or your 28th, we are so pleased you could join us. CLICK HERE for some photos and essays from this season.

    We’ll be spending the summer incubating and planning for the fall, but we have lot of news to share, so watch this space!

    In the meantime, we’re pleased to announce that our outgoing board chair will match donations up to a total of $25,000 to support future remounts of Summerworks shows (like this season’s Deep Blue Sound). He wants us to keep it up – and so do we! CLICK HERE TO JOIN THAT EFFORT

  • ANNOUNCING SUMMERWORKS 2025

    Due to overwhelming demand, we’re adding performances this year – but Summerworks shows always sell out, so lock in your seats with a pass!

    CLICK HERE FOR MORE INFO & TO BUY YOUR PASS NOW

  • THANK YOU FOR A GREAT RUN!

    Spending the last two months with Deep Blue Sound has been a joy and a balm. We are deeply proud of the work, and humbled by the talent and dedication of this company of artists.

    The show played for six sold-out weeks and we added as many shows as we could – but sadly, we closed this weekend. Thank you to the over 4,000 people who came to visit our island. And thank you to all the artists, staff, funders and friends who made it possible. This was a special one. 

    Click here for photos, essays and a link to buy the play!

  • NOW PLAYING: DEEP BLUE SOUND

    Our “devastatingly beautiful” production from Summerworks 2023 returns for a limited engagement, in residence at the Public Theater. Now playing! CLICK HERE FOR TICKETS

  • WINTERWORKS 2025 HAS COME TO A CLOSE

    Thank you to the hundreds of people who joined as at Playwrights Downtown for the 10th annual Winterworks. We were so proud of the work these amazing artists made — and we managed to cram everyone in to share it. Congratulations especially to Directing Fellows Iris McCloughan, NJ Agwuna and Laura Dupper – read more HERE

  • OUR NEW ANTHOLOGY - ON SALE NOW

    We’ve been eager to put out a second anthology since Funny, Strange, Provocative was published in 2007, and the last year finally provided us with the time to take on this long-awaited project. We are thrilled to announce that Unusual Stories, Unusually Told, published by Bloomsbury/Methuen, is now available!

    In it you’ll find seven Clubbed Thumb plays that span 18 years of our history, as well as essays and interviews about the work, and the often atypical processes that led to their productions.

    Read more about the book and get your discounted copy (and our first anthology) HERE

OUR VALUES

Clubbed Thumb aims to be a charismatic beacon for adventurous art and artists; to forge a strategy that equitably and thoughtfully supports artists and their collaborators; to help level the playing field for women, BIPOC artists, and others who fall outside of the corridors of power – both in traditional narratives and in lived experience.

The company emerged as a deliberate alternative to traditional institutional theater structures and is imbued with human values at its core. We have grown the company through a process of constant review, aiming to identify and most effectively leverage our resources, whether they are of space, time, imagination or, more rarely, capital.

We are also a product of the oppressive systems from which this country and industry were born and have benefited from — racism, white supremacy, and colonialism. We must contend with how these systems are manifest in our company, and work to uproot them.

Clubbed Thumb is committed to being an anti-racist organization, which demands an active process and continuous learning, for both individuals and as a staff. As we deepen our work around antiracism, we will continue to interrogate and reevaluate our programs and practices so that we may identify, undo, and eliminate any oppressive policies, which we hope will make way for more equitable, diverse, and inclusive programming. 

In the spirit of accountability, we’ve added this page to our website to be transparent about our process of self-examination, and our progress toward meeting our overall goals.

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BUDGET TRANSPARENCY & COMPENSATION VALUES

Having a core staff of three or four means that we are all involved in a very granular annual budgeting process. Clubbed Thumb aims for a fair distribution of its resources; we aspire to just compensation, but with a small budget we must maintain both short and long-term goals. We are in constant review of how to more equitably remunerate. 

— We will apply consistent rates of pay, as possible, across programs and across discipline. It is not always easy or even possible to measure all work equally. We look at numerous factors–time, skill, experience and expertise, rates and conditions set by the market or unions–as we try to extend our resources broadly and fairly, and consider what will be the most impactful way to support our community.

— We will continue a practice expanded within the last few years to revisit project-based pay after a production has concluded, to ensure contractors are properly compensated for the actual time they put into a job.

— We will try to cover more areas in which we—and our field—have not traditionally offered proper compensation, if any at all, including offering stipends to Summerworks interns, visiting guests and script readers.

WORKING PRACTICES

At Clubbed Thumb, we strive to be flexible and humane in how we structure and run our work.

— We created and regularly revisit our employee handbook, which we believe communicates clear expectations and workplace policies for full-time staff, producing fellows, office interns, collaborators, and artists.

— We will advocate with our union in the hope that we can continue making flexible rehearsal schedules that fit the lives of the artists in the rooms–including 5-day work weeks, sporadic processes, longer breaks or adjusted days for artists with children, etc.

— We are thoughtful about lengths of rehearsals, tech days and breaks between rehearsals and performances. In Summerworks specifically, we keep tech and preview periods extremely minimal, so it is a commitment that is easy to accommodate.

— We will continue to conduct evaluations of our work after each production and season to assess what adjustments can be made to make people’s jobs more sustainable.

ONGOING TRAINING

We are committed to, and budgeting for, ongoing anti-racism training for everyone on our staff – as new employees join our staff, and/or as we realize new areas for enrichment. Understanding that staff members are and will be at different stages of this learning, we will strive to meet and support them wherever they are in this work. Our current full time employees have completed a two-day training with ArtEquity entitled Everyday Justice: Antiracism as Daily Practice. Various staff members have taken part in other training and seminars outside of our auspices. 

BOARD DEVELOPMENT

Our board has transformed as our company has grown over the past decade. While we now have more members from the corporate sector, artists have always been on the board. 

Our last strategic plan set a goal to increase BIPOC representation on the board. In 2020, we added three new BIPOC members, all with rich histories with our organization. Currently, BIPOC make up 22% of our board, and women 50%. In the coming years, we aim to increase the number of BIPOC board members. Our Board Directors and their affiliations are listed on our website HERE

COMMUNITY CARE 

Hospitality and attentive support are a crucial part of our mission, and we consider this caretaking the very essence of our jobs. How we specifically care for the emotional, spiritual and physical needs of the BIPOC artists in our programming and in our community has been a focus of our questioning in recent years.

We created a “Statement of Guiding Community Principles” which can be found HERE. It will be revisited and distributed before the beginning of new processes or programs, and, for longer processes is often read aloud at the first rehearsal or meeting.

LAND ACKNOWLEDGEMENT

Clubbed Thumb’s primary places of work–our donated office and rehearsal spaces, as well as rented theater spaces–are on the unceded homeland of the Lenape. We are deepening our understanding of our relationship to this history, but believe it implies a responsibility of ethical stewardship of the land and environment. We are committed to waste reduction, to the reuse and recycling of scenic materials and other production design elements, and to an ongoing investigation of how to reduce our overall environmental impact.