What's Happening!

  • WINTERWORKS 2025 HAS COME TO A CLOSE

    Thank you to the hundreds of people who joined as at Playwrights Downtown for the 10th annual Winterworks. We were so proud of the work these amazing artists made — and we managed to cram everyone in to share it. Congratulations especially to Directing Fellows Iris McCloughan, NJ Agwuna and Laura Dupper – read more HERE

  • NOW ACCEPTING SUBMISSIONS FOR THE 10TH BIENNIAL COMMISSION

    This year we lost one of our great comic dramatists: Christopher Durang. We’ve been reflecting on how powerful and much-needed savage humor like his is in a world like ours today. So, for the 10th Biennial Commission, please consider his work, especially from the 1980’s. Applications are due March 20th, 2025. Read more and submit yours HERE

  • ANNOUNCING A RETURN ENGAGEMENT OF SUMMERWORKS 2023'S DEEP BLUE SOUND

    We are thrilled to announce that Deep Blue Sound – which ran to sold-out houses at Summerworks 2023 – will return for five weeks this winter. After a wildly successful run of Grief Hotel earlier this season, we are excited to return to The Public Theater with another Summerworks hit. CLICK FOR TICKETS & INFO

  • THANK YOU FOR MAKING OUR GALA SUCH A SUCCESS!

    Monday night’s Gala, celebrating our dear friends and collaborators dots, was beautiful, moving and very fun. Thank you to everyone who attended, performed, volunteered, donated and otherwise supported this very special night.

    See photos from the event on our Instagram (and tag @clubbedthumb if you’re posting your own)!

    At the event, we raised funds in honor of dots to help us better support the designers in our community – and we happily exceeded our goal. But there’s no such thing as a late donation! If you’d like to contribute to the fund, click HERE

  • OUR 2024 SEASON HAS COME TO AN END

    The last six months were the busiest in our history. We started with Winterworks at Houghton Hall in January, followed by six weeks of Grief Hotel at the Public in the spring, and we rounded it all out with Summerworks at the Wild Project, where we managed to cram in 47 performances over seven weeks.

    Some of you saw it all, some just a piece, and some met our work for the first time. We were thrilled to share it with all of you.

    Here are some photos and essays from the season, to tide you over until we have work to share again in the fall (or when we see you at our gala honoring dots!)

    Lastly: We had our most successful season at the box office ever. If you were there, you know it was full to overflowing. And you might remember that your ticket was pretty affordable—maybe even free. That’s important to us.

    But what that means is, even when we sell out all the time, tickets only cover a fraction (about 1/7th) of what it all costs, especially considering we pay people better every year (That’s important to us too!)

    Throughout the year, we support hundreds of artists, mostly early in their careers, whether in our writers or directors groups, readings, workshops, commissions, retreats, or in production. So, if you can, make a donation today and be a part of our effort to pay artists, to make beautiful, affordable work, and to do it even better next year!

  • ANNOUNCING SUMMERWORKS 2024

    We’ll be back at the Wild Project May 16th through June 29th with the 27th iteration of SUMMERWORKS, featuring: Usus by T. Adamson, directed by Emma Miller; Coach Coach by Bailey Williams, directed by Sarah Blush; and Find Me Here by Crystal Finn, directed by Caitlin Sullivan. Tickets on sale now! Learn more & get yours here

  • GRIEF HOTEL'S MAGNIFICENT ENCORE RUN AT THE PUBLIC THEATER

    We were thrilled to bring Summerworks 2023’s Obie-winning hit production Grief Hotel back for a six-week run at The Public Theater, in partnership with our friends New Georges. It was very special to dig back into the play and production with the exceptional group of artists who made it, and such a joy to share it with so many more people. We had a tremendous run – sold out, extended and beloved by critics and audiences – thank you to all who attended and to all who made it possible. CLICK HERE TO READ ESSAYS AND MORE ABOUT THE SHOW

  • OUR NEW ANTHOLOGY - ON SALE NOW

    We’ve been eager to put out a second anthology since Funny, Strange, Provocative was published in 2007, and the last year finally provided us with the time to take on this long-awaited project. We are thrilled to announce that Unusual Stories, Unusually Told, published by Bloomsbury/Methuen, is now available!

    In it you’ll find seven Clubbed Thumb plays that span 18 years of our history, as well as essays and interviews about the work, and the often atypical processes that led to their productions.

    Read more about the book and get your discounted copy (and our first anthology) HERE

THE CLUBBED THUMB BIENNIAL COMMISSION

Every other year Clubbed Thumb invites playwrights to propose plays inspired by a particular prompt. The application is open to all, and the anonymous proposals are read by a panel of theater artists. The winning proposal(s) receive (or split) a $15,000 award and development support. We are pleased to announce our next Biennial Commission.

This year we lost one of our great comic dramatists: Christopher Durang. We’ve been reflecting on how powerful and much-needed savage humor like his is in a world like ours today.

So, for the 10th Biennial Commission, please consider his work, especially from the 1980’s. We read Sister Mary Ignatius Explains It All For You, Beyond Therapy, The Marriage of Bette and Boo, and Baby with the Bathwater, but feel free to engage with any of his work. We highly suggest reading out loud.

Your play should include:

  • A dysfunctional family or relationship (but this is a Clubbed Thumb show so anything but a biological family or romantic relationship)
  • A mangled version of a song in the public domain
  • A kilt
  • A series of nicknames (which may or may not be explained)
  • A spiritual middle manager

You can have three stage directions total for the whole play, with one exception…

“She/he/they/it throws a __________.”

You can include this one as many times as you want.

You can have three props of your choosing, plus any of the following: a Snoopy doll, a snake-in-the-can, a reward cookie, or a dead baby.

Think about the funniest actresses you’ve encountered. Write hysterical, vicious, and virtuosic parts for them.

As always, please consider the Clubbed Thumb parameters and aesthetic.

TO APPLY: SUBMIT THE FOLLOWING THROUGH THE FORM BELOW

(this is a ANONYMOUS submission, see notes below)

1) A one-page letter of intent describing your proposed project;

2) 10 exploratory pages from the proposed project (either contiguous or from different sections of the proposed play);

3) One of your finished plays, for reference;

4) Your resume

IMPORTANT NOTES

No names please — on the letter, the 10 page sample or the finished play for reference, or in any file names. The panel reads all submissions anonymously — the only place your name should appear is on the info form and on your resume.

The letter of intent should briefly map out the proposed piece and, if need be, orient the reader to the excerpt’s relationship to the whole. You needn’t explain or repeat anything that your 10 page sample makes clear. Then give us an idea of where the piece is coming from and where you think you want to go with it.

We ask you to include one of your finished plays for reference. Note (where prompted in the form) any relationship or similarities the complete play has to the proposed project, and recommend 10 pages for us to start with.

One last thing: this is a commission for Clubbed Thumb. So look around our website at our guidelines and production history for reference, if they are not familiar to you. Many of our plays have been published individually or in our anthologies and are widely available to read.

DEADLINE: THURSDAY, MARCH 20th, 2025 11:59PM EDT

The proposals will be read and adjudicated over the course of the spring/summer, and the commission(s) awarded by the fall. The $15,000 commission — which might be split between writers if the panel so elects — will be paid out in installments, with the first installment following the signing of a contract. Send questions to info[at]clubbedthumb[dot]org

Many thanks to Bailey Williams for help devising this prompt.

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CLICK HERE to read commission prompts from past years.