What's Happening!

  • SUMMERWORKS 2025'S SOLD-OUT CRITIC'S PICK COLD WAR CHOIR PRACTICE RETURNS FOR SIX WEEKS - TICKETS ON SALE NOW!

    Tickets for Ro Reddick’s COLD WAR CHOIR PRACTICE are on sale now! The Summerworks 2025 Critic’s Pick, directed by Knud Adams, will return for an extended run co-produced by MCC Theater, Clubbed Thumb and Page 73. Friends of Clubbed Thumb have access to $45 tickets throughout the run – CLICK HERE FOR TICKETS & INFO

  • MEET OUR NEW GROUP COHORTS!

    A very warm welcome to the incoming writers and directors taking part in Clubbed Thumb’s Early-Career Writers’ Group and New Play Fellowship! 

    Directors Terrence I Mosley, Liz Peterson and Hanna Yurfest will work on newly commissioned plays by Max Mooney, jose sebastian alberdi and Emma Horwitz respectively – stay tuned for a Winterworks announcement.

    And we’re looking forward to getting to know Alyssa Haddad-Chin, Doug Robinson, Dylan Guerra, Jan Rosenberg, Jen Diamond, Nadja Leonard-Hooper, Sarah Grace Goldman and Yulia Tsukerman in this year’s writers’ group!

  • THANK YOU FOR MAKING OUR GALA A GREAT SUCCESS

    Thanks to everyone who joined us to honor Crystal, Susannah, and Miriam, and to everyone who contributed to make it a truly special night.

    We were moved by the warmth and generosity in the room on Monday October 6th — lots of hugs, laughter and a even few happy tears. These three are the real deal and we are lucky to know them; we’re excited to keep celebrating them and working with them for many years to come.

    Actors are at the heart of what we do, and it’s not too late to support them with a gift to our 2025 gala! DONATE HERE

  • THANK YOU FOR COMING TO SUMMERWORKS 2025

    Whether it was your first Summerworks or your 28th, we are so pleased you could join us. CLICK HERE for some photos and essays from this season.

    We’ll be spending the summer incubating and planning for the fall, but we have lot of news to share, so watch this space!

    In the meantime, we’re pleased to announce that our outgoing board chair will match donations up to a total of $25,000 to support future remounts of Summerworks shows (like this season’s Deep Blue Sound). He wants us to keep it up – and so do we! CLICK HERE TO JOIN THAT EFFORT

  • ANNOUNCING SUMMERWORKS 2025

    Due to overwhelming demand, we’re adding performances this year – but Summerworks shows always sell out, so lock in your seats with a pass!

    CLICK HERE FOR MORE INFO & TO BUY YOUR PASS NOW

  • THANK YOU FOR A GREAT RUN!

    Spending the last two months with Deep Blue Sound has been a joy and a balm. We are deeply proud of the work, and humbled by the talent and dedication of this company of artists.

    The show played for six sold-out weeks and we added as many shows as we could – but sadly, we closed this weekend. Thank you to the over 4,000 people who came to visit our island. And thank you to all the artists, staff, funders and friends who made it possible. This was a special one. 

    Click here for photos, essays and a link to buy the play!

  • NOW PLAYING: DEEP BLUE SOUND

    Our “devastatingly beautiful” production from Summerworks 2023 returns for a limited engagement, in residence at the Public Theater. Now playing! CLICK HERE FOR TICKETS

  • WINTERWORKS 2025 HAS COME TO A CLOSE

    Thank you to the hundreds of people who joined as at Playwrights Downtown for the 10th annual Winterworks. We were so proud of the work these amazing artists made — and we managed to cram everyone in to share it. Congratulations especially to Directing Fellows Iris McCloughan, NJ Agwuna and Laura Dupper – read more HERE

  • OUR NEW ANTHOLOGY - ON SALE NOW

    We’ve been eager to put out a second anthology since Funny, Strange, Provocative was published in 2007, and the last year finally provided us with the time to take on this long-awaited project. We are thrilled to announce that Unusual Stories, Unusually Told, published by Bloomsbury/Methuen, is now available!

    In it you’ll find seven Clubbed Thumb plays that span 18 years of our history, as well as essays and interviews about the work, and the often atypical processes that led to their productions.

    Read more about the book and get your discounted copy (and our first anthology) HERE

feminized meat and other unicorns by Ro Reddick

In season one, episode six of the Real Housewives of New York, Bethenny Frankel, an upwardly mobile natural food chef, is having drinks with fellow housewife, Countess LuAnn de Lesseps, when she declares that they won’t be having cocktails tonight, they’ll be having tequila! Frankel then orders: “Patron Silver on the rocks. Fresh lime juice. A splash of Triple Sec. I only drink one drink. I call it the skinny girl’s margarita.” The Countess, intrigued, (and not one to be left out of the category “skinny”), promptly orders the same thing for herself – and in a Bravo TV minute a new drink is born. Now here’s where you might raise a skeptical eyebrow: hasn’t Frankel simply listed the ingredients that makes up nearly every margarita on the face of the Earth? Yes, but she’s also given it a name, Skinny Girl, and imbued it with the power of her own attractiveness and thinness to make not just a drink, but a multimillion dollar food and beverage brand. 

And it is in the lineage of our first great Real Housewife that we meet Georgina and Lisa in Milo Cramer’s sharp and funny Business Ideas, a play that follows a mother, Georgina who has dragged her daughter Lisa to the local coffee shop in an effort to spitball their way back to the middle class. Armed with all the accoutrement of a hackathon, they brainstorm a litany of absurd and hilarious ideas, obvious gimmicks. 

Sianne Ngai’s Theory of the Gimmick, defines gimmicks as, “overrated devices that strike us as working too little (labor saving tricks) but also as working too hard (strained efforts to get our attention)… a contrivance.” But what a delight they can be! Ngai acknowledges the gimmick’s “irritating yet strangely attractive…” qualities, which are on display as we watch the duo’s ideas evolve from gimmicky products to gimmicky brands.

GEORGINA

butch artichoke, killer romaine,

LISA

or feminized meat

GEORGINA

wow if we could somehow

feminize meat

LISA

and then charge ten percent more. and then retire early.

GEORGINA

so the battle becomes: branding. everyone “has” artichoke.

but only our artichoke. Means sex

A brand is first and foremost a promise. The power of that promise lies in the brand’s ability to deliver on it again and again and again… It is inside this loop of a repeatable consumer experience that we find the elusive brand premium. Georgina and Lisa know what Bethenny knows, that the brand premium they seek has a cheat code: gender. Turning a neutral object (or playing off of people’s gendered perceptions of a neutral object) is a bit of a branding magic trick. A labor saving device for the entrepreneur; a gimmick, if you will. A magic wand that when waived will meet the needs of an underserved market: women seeking a high protein meal without getting all that machismo stuck in their teeth. Lip steak, hip steak, slim steak, please!

Ngai tells us, we are in relation to one another when we encounter the gimmick. For every smartypants that spots the gimmick, declares it deficient, laughs at its folly, there is a sucker right beside them thinking, say, that’s a pretty good idea! The communal space of the coffee shop becomes essential here, allowing “suckers” and “smarties” to float through the play and drop their assessments –  but we, the audience, are also in relation. We sit in judgement (or wonder), watching from the house as the duo rattle off ideas like man salads and butch artichokes and laugh and laugh – or take notes… 

We also take note of Emmie Finckel’s elegant set design complete with accents like “Stressed, blessed, and coffee obsessed” painted above the tables, pointing our attention towards yet another gimmick: the coffee shop. 

GEORGINA

this is the kinda place people Start Businesses.

LISA

…this place?

A hallowed space, a fount of entrepreneurial energy. The brick and mortar icon of millennial hustle culture. The very structure itself a cheat code: a liminal space where artisanal beverages and gendered commodities meet to turn ideas into unicorns. 

A space where Buisness ideas?? 

becomes Bu$ine$$ Idea$

becomes Biz-nas Ideaz

becomes BUSINESS IDEAS.